Awards and Nominations
Jessie Richardson Peer Reviewed Awards for Outstanding Design: 2010
*Award for Lighting Design, Small Theatre, for The Edward Curtis Project, Presentation House Theatre
* Nomination for Lighting Design, Large Theatre, for The Miracle Worker, Vancouver Playhouse Theatre
* Nomination for Lighting Design, Large Theatre, for Black Comedy, Arts Club Theatre
2009
* Nomination for Lighting Design, Large Theatre, for Titus Andronicus, Bard on the Beach
* Nomination for Lighting Design, Large Theatre, for The Tempest, Bard on the Beach
* Nomination for Lighting Design, Small Theatre, for No Exit, Electric Company Theatre and
The Virtual Stage.
2008
* Award for Lighting Design, Small Theatre, for Tiny Apocalypse, Rough House Theatre and Rumble Productions
* Nomination for Lighting Design, Small Theatre, for Revenge, Felix Culpa
2007
* Award for Lighting Design, Large Theatre, for Peer Gynt, Blackbird Theatre
* Nomination for Lighting Design, Large Theatre, for Recovery, Rumble Productions
2006
* Nomination for Lighting Design, Small Theatre, for The Prodigal Son, Touchstone Theatre
2004
* Award for Lighting Design, Large Theatre, for Soulless, Rumble Productions
* Award for Lighting Design, Small Theatre, for The Palace Grand, Electric Company
* Award shared with Jonathan Young for Set Design, Small Theatre, for The Palace Grand, Electric Company
* Nomination for Outstanding Lighting Design, Large Theatre, for One Last Kiss, Vancouver Playhouse Theatre Company
* Nomination for Outstanding Lighting Design, Small Theatre, for The Designated Mourner, Felix Culpa
2002
* Nomination for Outstanding Lighting Design, Small Theatre, for The Burning Vision, Rumble Productions
2000
* Award for Outstanding Lighting Design, Small Theatre, for War of the Worlds, Rumble Productions
Selected Production History
Productions marked with an " * " indicate Lighting Design and Set Design
| Year |
|
|
|
|
Production |
Producing Company(s) |
Director(s) |
|
|
|
|
2011
|
|
|
|
| Jitters
| Belfry Theatre
| Patric McDonald
|
| Snowman
| Rumble Theatre
| Craig Hall
|
| Re:Union
| Horseshoes and Hand Grenades and
Pacific Theatre
| John Langs
|
| No Exit San Francisco
(International Tour)
| Electric Company, Virtual Stage and American Repertory Theatre
| Kim Collier
|
| Philanderer
| Arts Club Theatre
| Rachel Ditor
|
| Bird Brain
| Carole Higgins
| Carousel Theatre
|
| Who's Afraid of Virginia Woolf
| Arts Club/Blackbird Theatre
| John Wright
|
|
|
|
|
2010
|
|
|
|
| Rimers of Eldrich
| Douglas College
| John Cooper
|
| Photog
| Boca del Lupo
| Sherry Yoon
|
| How is Sleep Beautiful?
| Helen Walkley Dance
| Helen Walkley
|
| Everyone
| Caravan Farm Theatre
| Estelle Shook and Company
|
| Becky's New Car
|
Arts Club Theatre
|
Rachel Ditor
|
|
The Sunshine Boys
|
Chemainus Theatre
|
Nicola Cavendish
|
|
Tiny Appocalypse (Tour)
|
Rough House Productions
|
James Fagan Tait
|
|
Donald and Lenore*
|
Felix Culpa and Chutzpah! Festival
|
David Bloom
|
|
The Road Forward
|
Aboriginal Pavilion Closing Ceremonies
|
Marie Clements
|
|
Best Before
(International Tour)
| Rimini Protokol and PUSH
Festival |
Helgard Haug and
Stephan Kaegi |
|
The Edward Curtis Project
|
Presentation House Theatre
and PUSH Festival
|
Brenda Leadlay and
Marie Clements
|
|
|
|
|
| 2009 |
|
|
|
|
Who's Afraid of Virginia Woolf
|
Blackbird Theatre
|
John Wright
|
|
A Beautiful View *
|
Ruby Slippers Theatre
|
Daniel MacIvor
|
|
No Exit Tour |
Electric Company
|
Kim Collier
|
|
|
Virtual Stage and Western Canada
|
|
|
|
Theatre
|
|
|
Miracle Worker
|
Vancouver Playhouse Theatre Co.
|
Meg Roe
|
|
Black Comedy
|
Arts Club Theatre
|
Dean Paul Gibson
|
|
Palace of the End |
Touchstone Theatre and
|
Katrina Dunn and
|
|
|
Felix Culpa and
|
David Bloom and
|
|
|
Horseshoes and Hand
Grenades |
Mindy Parfitt |
|
Age of Arousal |
Arts Club Theatre and
|
Katrina Dunn |
|
|
Touchstone |
|
|
Forever Plaid |
Gateway Theatre |
Patrick Burwell |
|
Blackbird |
Theatre Conspiracy and
|
Norman Armour |
|
|
Rumble Productions |
|
|
Inspired by Place |
Aeriosa Dance |
Julia Taffe |
|
That Night Follows Day |
Theatre Replacement |
James Long and
|
|
|
|
Maiko Bae Yamamoto |
|
Nanay |
Urban Crawl |
Alex Ferguson |
|
|
|
|
| 2008 |
|
|
|
|
Half Life * |
Belfry Theatre |
James Fagan Tait |
|
Titus Andronicus |
Bard on the Beach |
Kim Collier |
|
The Tempest |
Bard on the Beach |
Meg Roe |
|
Life of Paper * |
Pangaea Arts |
Heidi Specht |
|
No Exit |
Electric Company Theatre and
|
Kim Collier |
|
| The Virtual Stage
|
|
|
Tiny Apocalypse |
Rough House Theatre and
|
James Fagan Tait |
|
|
Rumble Productions |
|
|
How It Works |
Touchstone Theatre |
Katrina Dunn |
|
Hay Fever |
Chemainus Theatre |
Bernard Cuffling |
|
Palace Grand (remount) * |
Electric Company Theatre |
Kevin Kerr |
|
|
|
|
| 2007 |
|
|
|
|
Hecuba |
Blackbird Theatre |
John Wright |
|
Richard III |
Studio 58 (Langara College) |
Scott Bellis |
|
Radio Daze |
Gateway Theatre |
Simon Johnston |
|
Timon of Athens |
Bard on the Beach |
James Fagan Tait |
|
Julius Ceasar |
Bard on the Beach |
Katrina Dunn |
|
Copper Thunderbird |
National Arts Centre and
|
Peter Hinton |
|
|
Urban Ink |
|
|
Revenge |
Felix Culpa |
James Fagan Tait |
|
Having Hope at Home |
Gateway Theatre |
Simon Johnston |
|
Hippies and Bolsheviks |
Touchstone Theatre |
Katrina Dunn |
|
The Perfect Wife |
Chemainus Theatre |
Jeremy Tow |
|
|
|
|
| 2006 |
|
|
|
|
Silverwing |
Carousel Theatre for Young Audiences |
Carole Higgins |
|
Recovery |
Rumble Productions |
Craig Hall |
|
Crazy Talk * |
Solo Collective |
Del Surjik and
|
|
|
|
David Mackay and
|
|
|
|
Jane Heyman |
|
At Home with Dick and |
Electric Company Theatre |
Kim Collier |
|
Jane at Hive 1 |
|
|
|
Jest, Satire, Irony,
and |
Studio 58 (Langara College) |
Julek Neumann |
|
Deeper Significance |
|
|
|
Peer Gynt |
Blackbird Theatre |
John Wright |
|
Palimpest (remount) |
Standing Wave New Music Society |
Andreas Kahre |
|
A Number |
Belfry Theatre |
Roy Surette |
|
The Prodigal Son |
Touchstone and
|
Katrina Dunn |
|
|
Pacific Theatre |
|
|
The Invalids |
PI Theatre |
Del Surjik |
|
Glass Menagerie |
Theate at UBC |
Natasha Nadir |
|
Beaver |
Presentation House |
Brenda Leadlay |
|
Perfectionists |
Boca del Lupo |
Jill Samuells |
|
|
|
|
| 2005 |
|
|
|
|
Soulless (remount) |
Rumble Productions and
|
Norman Armour |
|
|
Theatre at UBC |
|
|
San Diego |
Rumble Productions and
|
Norman Armour |
|
|
Studio 58 (Langara College) |
|
|
Palimpest |
Standing Wave New Music Society |
Andreas Kahre |
|
Kitchen Witches |
Gateway Theatre |
Leslie Bland |
|
|
|
|
| 2004 |
|
|
|
|
Women in Fish, |
Urban Ink |
Marie Clements and
|
|
Hours in Water |
|
Kathleen Flaherty |
|
Palace Grand |
Electric Company Theatre |
Kevin Kerr |
|
Soulless |
Rumble Productions |
Norman Armour |
|
One Last Kiss |
Belfry Theatre and
|
Roy Surette |
|
|
Vancouver Playhouse |
|
|
|
|
|
| 2003 |
|
|
|
|
Shopping and Fucking |
PI Theatre and
|
Del Surjik and
|
|
|
Ruby Slippers |
Dianne Brown |
|
The Designated Mourner |
Felix Culpa |
Norman Armour |
|
Apple |
Touchstone Theatre |
Rachel Ditor |
|
To Die For |
Gateway Theatre |
John Cooper |
|
|
|
|
| 2002 |
|
|
|
|
Hedda Gabbler |
Rumble Productions |
Norman Armour |
|
Goodnight Desdemona |
Gateway Theatre |
Dean Paul Gibson |
|
(Goodmorning Juliet) |
|
|
|
Bull in a China Shop |
Felix Culpa and
|
David Bloom and
|
|
|
Cooper Leg Dance |
Anne Cooper |
|
Burning Vision |
Rumble Productions and
|
Peter Hinton |
|
|
Urban Ink |
|
|
|
|
|
2001
|
and Earlier
|
|
|
|
Foreign Bodies |
Rumble Productions |
Camyar Chai |
|
Und |
Felix Culpa |
David Bloom |
|
I Am Your Spy |
Rumble Productions |
Norman Armour |
|
War of the Worlds |
Rumble Productions |
Norman Armour |
|
|
|
|
Production Management, Technical Direction, and Instruction
2006-2008 Adjunct Professor University of British Columbia, Theatre Department
1997-2005 Production Manager Bard on the Beach
1996-1999 Technical Director Vancouver Playhouse Theatre Company
Education
1992 Rigging Workshop Banff Centre for the Arts, Banff, Alberta
1990 BSc Eng.(Electrical) with Honours, Queen’s University, Kingston.
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